Thursday, August 7, 2014

Envoys of the Senate Offer the Dictatorship to Cincinnatus (1844)

Alexandre Cabanel: Envoys of the Senate Offer the Dictatorship to Cincinnatus

Cabanel was one of the leading exponents of French "Academic" painting. He played a major role in getting the "Salon" to refuse to show the works of Impressionist painters.

Wednesday, August 6, 2014

Le Chateau de Chenonceau (1843)

 Pierre Justin Ouvrie: Le Chateau de Chenonceau

 This painting is lower resolution than I generally prefer for my postings, but it's so beautiful I had to make an exception. A modern photo of the same scene is below. The chateau was built in the early 1500s.

Tuesday, August 5, 2014

The Palace of Donn'Anna (1843)

Jules Coignet: The Palace of Donn'Anna, Naples

This is a classic view of the unfinished palace designed by Cosimo Fanzago for Anna Carafa, wife of a seventeenth-century Spanish viceroy of Naples. With Vesuvius smoldering in the distance, Castel del’Ovo jutting into the bay, and Neapolitan boatmen plying the water, all the elements of the Picturesque are present in this composition. As if to contravene the scene’s sense of timelessness, Coignet incised the location and date into the still-wet paint at lower left, emphasizing the speed with which he completed the painting. [Metropolitan Museum]

Monday, August 4, 2014

Sunday, August 3, 2014

Two Sisters (1843)

Théodore Chassériau: Two Sisters

Théodore Chassériau was just twenty-four years old when he painted this portrait of his two sisters. The work is widely regarded as one of his masterpieces and was considered by the renowned Impressionist painter Edgar Degas to be one of the most beautiful paintings of the century. Immediately captivating viewers with its charm is a device used by Chassériau to convey his own strong affection for his sisters. The two women stand arm in arm but their identical clothing, jewelry, and hairstyle make them seem even more closely connected—like twins. In reality, Marie-Antoinette on the left, known to the painter as Adèle, was already thirty-three while her sister Geneviève, better known as Aline, was only twenty-one. The exotic overtones present in the dark hair and complexion of the two women, which evoke the family’s Caribbean origins, are heightened by their red shawls with an Indian pattern. The red of these shawls corresponds in turn to the red of their lips and cheeks. Physically, the Chassériau sisters resemble their Creole mother. The young painter borrowed the precise modeling of the fabrics and surfaces and strong chromatic correspondences from his teacher Jean-Auguste-Dominique Ingres. [inkling.com]

Saturday, August 2, 2014

Le Conventionnel Merlin de Thionville (1843)

Nicolas Toussaint Charlet: Le conventionnel Merlin de Thionville à l'armée du Rhin

An attempt at Google-translating this title yields "The Conventional Merlin de Thionville in the Army of the Rhine," which doesn't make much sense. "Conventionnel" must have another meaning that Google doesn't know (thank God they don't know everything yet!).

Is it just me or does this guy have kind of a monkey face?

Friday, August 1, 2014

Siege of Malta (ca. 1843)

Charles-Philippe Larivière: Malta besieged by the Ottoman General Mustapha, September 1565