A Stag in the Woods (ca. 1891)

Henri-Joseph Harpignies: A Stag in the Woods

Afternoon Tea at the Painter's Salon (1891)

Madeleine Lemaire: Afternoon Tea at the Painter's Salon

Lady Godiva (1891)

Jules Joseph Lefebvre: Lady Godiva

Exhibited at the 1890 Salon (official art exhibition of the Académie des Beaux-Arts in Paris), this immense (6.2 x 3.9m) oil painting dated 1891 portrays the story of Lady Godiva, a famous 11th century English princess. Married to Leofric, the Earl of Mercia and lord of Coventry, she begged her husband to relieve the townspeople of the oppressive taxes and tolls. He refused, unless she agree to ride through the town naked on horseback. Out of respect for their lady, it is said, the townspeople stayed indoors during her ride. Jules Lefebvre’s painting shows Lady Godiva during her ride through the deserted town. [Amiens]

Summer (1891)

Jules Breton: Summer

The Color Grinder (1891)

Jean-Léon Gérôme: The Color Grinder

Cast Shadows (1891)

Émile Friant: Cast Shadows

In 1891, Friant presented four paintings at the Salon of the Société Nationale des Beaux-Arts. One of these was Cast Shadows which he was careful to place prominently when submitting his works. He had already depicted young couples, outdoors and indoors, always carefully building his composition around an interplay of looks and hands. He did the same in 1891 but in a much more radical way. The protagonists are placed in front of a wall. The frontal light source, directed upwards, highlights the hands and faces. Beneath the dark clothes, their bodies are reduced to silhouettes. This treatment recalls an extract from Pliny's Natural History recounting how painting was invented: "[Dibutade] was in love with a young man; when he left for foreign lands, she traced the shadow of his face, projected on to a wall by the light of a lantern".

But Friant equally turned to the current research of the time. Degas' work in particular comes to mind, with the effects he achieved using unusual light sources, capable of changing the perception of colour and chromatic harmony. [Musée d’Orsay]

Émile Munier (1891)

Émile Munier: At the Fountain

 

Émile Munier: Messenger of Love