The Epsom Derby (1821)

Théodore Géricault: The Epsom Derby

Another dramatic painting by Géricault, who seems to specialize in those.

Three Lovers (ca. 1817-20)

Théodore Géricault: Three Lovers

Théodore Géricault's only known erotic painting, this small oil sketch depicts two lovers locked in a passionate embrace while their languid companion calmly watches from the left. The woman's nudity and relaxed pose evoke the classical tradition of representing repose after lovemaking, a tradition that is also evoked by the way her voluptuous figure complements the statue of Venus above. Encoiled in her lover's arms and with her legs provocatively exposed, the woman in white is an active participant in the amorous act rather than a passive object. With a modern directness, Géricault captured the intensity and energy of human sexuality in a manner very different from the idealizing conventions of his age.

Géricault 's expressive handling of line and paint accords with the passionate energy of the subject matter. Despite the small size and sketchy nature of this painting, Géricault made it as an independent work of art, intended for close private viewing. [Getty]

There's also a video commentary.

The Raft of the Medusa (1818-19)

Théodore Géricault: The Raft of the Medusa

Arguably Géricault's most famous work, The Raft of the Medusa is a triumph of Romantic art. It is an over-life-size painting that depicts a moment from the aftermath of the wreck of the French naval frigate Méduse, which ran aground off the coast of today's Mauritania on July 5, 1816. At least 147 people were set adrift on a hurriedly constructed raft; all but 15 died in the 13 days before their rescue, and those who survived endured starvation, dehydration and cannibalism.

Watch a video commentary on this painting.

Study of a Model (1818-19)

Théodore Géricault: Study of a Model

Another sensitive portrait of a black person by a French artist (previous one here). It's clear from the painting that this man has suffered much. Yet, he is not depicted as being defeated by it.

Riderless Racers at Rome (1817)

Théodore Géricault: Riderless Racers at Rome

Géricault was the French Romantic painter par excellence. Like many French painters, he spent time in Italy, which profoundly affected his painting style. He was particularly influenced by Michelangelo.

General of the First Empire (ca. 1810)

Théodore Géricault: General of the First Empire Attacking the Enemy

Géricault (1791-1824; a sadly brief life) pioneered Romanticism in France.