The Farewell of Telemachus and Eucharis (1818)

Jacques-Louis David: The Farewell of Telemachus and Eucharis

Eucharis, who does not appear in Greek mythology, was one of the nymph Calypso's attendants in Fénelon's novel Les Aventures de Télémaque (1699). In Fénelon's modern prose epic, an improvisation upon Homeric themes, Telemachus while searching for his father, Odysseus, has been shipwrecked on Calypso's island, and there has fallen in love with Eucharis but must leave her, dutifully to pursue his quest. Fénelon, in charge of the education of the heir to the French throne, offered his novel, "not as a frivolous novel, that is offered here, reader, for your idleness, but a learned parable". Its theme of the conflict between duty and love is a persistent one, central in French 17th-century classical theater, but peripheral to the Odyssey in spite of its erotic episodes. A sub-theme in Les Aventures de Télémaque, of spiritual education, is summed up by Mentor who says, "He who has not felt his weakness and the violence of his passions is not yet wise; for he does not yet understand himself and does not know how to distrust himself." [Wikipedia]

Fixing the viewer with a dreamy gaze, the fair-haired Telemachus grasps Eucharis's thigh with his right hand while holding his sword upright with the other. The ill-fated lovers say farewell in a grotto on Calypso's island. Facing towards us, Telemachus's blue tunic falls open to reveal his naked torso. Eucharis, seen in profile, encircles Telemachus's neck and gently rests her head upon his shoulder in resignation. In this way, Jacques-Louis David contrasts masculine rectitude with female emotion.

David painted The Farewell of Telemachus and Eucharis during his exile in Brussels. The use of saturated reds and blues contrasted with flesh-tones and combined with a clarity of line and form typifies the Neoclassical style, which is characteristic of David's late history paintings. [Getty]

Men Arguing and Women Fighting (1818)

Here's an interesting and humorous pair of canvases by Louis-Léopold Boilly.

 Men Arguing

 

Women Fighting

The Death of Leonardo da Vinci (1818)

Jean-Auguste-Dominique Ingres: The Death of Leonardo da Vinci

Another of Ingres's tributes to a past master.

View of Santa Scolastica in Subiaco (1818)

Achille-Etna Michallon: View of Santa Scolastica in Subiaco

Daphnis and Chloe (1817)

Louis Hersent: Daphnis and Chloe

These two were the subjects of a second-century AD Greek novel. It is the story of a boy (Daphnis) and a girl (Chloe), each of whom is exposed at birth along with some identifying tokens. A goatherd named Lamon discovers Daphnis, and a shepherd called Dryas finds Chloe. Each decides to raise the child he finds as his own. Daphnis and Chloe grow up together, herding the flocks for their foster parents. They fall in love but, being naive, do not understand what is happening to them. Philetas, a wise old cowherd, explains to them what love is and tells them that the only cure is "kissing." They do this. Eventually, Lycaenion, a woman from the city, educates Daphnis in love-making. Daphnis, however, decides not to test his newly acquired skill on Chloe, because Lycaenion tells Daphnis that Chloe "will scream and cry and lie bleeding heavily [as if murdered]." Throughout the book, Chloe is courted by suitors, two of whom (Dorcon and Lampis) attempt with varying degrees of success to abduct her. She is also carried off by raiders from a nearby city and saved by the intervention of the god Pan. Meanwhile, Daphnis falls into a pit, gets beaten up, is abducted by pirates, and is very nearly raped. In the end, Daphnis and Chloe are recognized by their birth parents, get married, and live out their lives in the country. [Wikipedia]

Henri de la Rochejaquelin (1817)

Pierre-Narcisse Guérin: Henri de la Rochejaquelin

Henri de la Rochejaquelin was a leader in the counter-revolution of 1793, wherein royalist forces attempted to take France back from the forces of revolution. After seeing a great deal of action in this endeavor, he was finally killed - at the tender age of 22.

I don't know French history from the period of 1817 (when the painting was done) in enough detail to understand Guérin's motives for painting what might be considered a politically inflammatory work. Perhaps, with Napoleon finally out of the picture, he was committing himself to the forces of the Restoration?

Louis XVI Distributing Alms to the Poor (1817)

Louis Hersent: Louis XVI Distributing Alms to the Poor

I see this as basically a propaganda picture - "see, we rich and powerful are actually nice and generous."

Louis Hersent (1777-1860) was a student of David. He was most active during the Restoration period.